Viaje A La Semilla; Concierto Barroco PDF

Viaje A La Semilla; Concierto Barroco

July 2, 2020

Titulo del libro: Viaje A La Semilla; Concierto Barroco

This volume is composed of a story and a nouvelle. The story is one of the most beautiful and surprising in the history of literature. According to the author, it was written in a jerk, during the course of a night in which he also discovered his particular style of narration. At the age of forty he had written a single book and sought language capable of expressing the exuberant and hallucinating world of the Caribbean, whose history and landscape are totally alien to any classical proportion. For Carpentier, unlike European surrealism, which found the extraordinary and the unnatural in an artificial and provoked way, in America the fantastic is found in reality itself, in what he called the marvelous real. And the way to express it was the Baroque: a self-conscious language, full of metaphors and lexical wealth. Published in 1944 in an edition of 100 copies, Journey to the seed takes us to colonial Cuba of the nineteenth century. With a subtle handling of the time, which the reader will notice little by little, we witness the death of Don Marcial, Marquis de Capellanías, the different avatars of his life and his birth. At the same time, we know the changes that an unusual temporary flow operates in his house, in his furniture and objects. The Baroque Concert (1974) argument is based on a historical fact: the composition and première in Venice in 1773 of a Vivaldis opera about Montezuma. Attracted by the play of baroque resources that this scenic representation suggests, Carpentier introduces us into a brilliant amusement that recounts the adventures of an Indian who, accompanied by his servant, comes to Europe to look for musical instruments. Its theme is the encounter between two continents. But here the story also transforms and introduces elements of the future: Scarlatti and Händel live with Stravinsky and Louis Armstrong. Close the volume an explanatory text by Juan Malpartida on laThis volume is composed of a story and a nouvelle. The story is one of the most beautiful and surprising in the history of literature. According to the author, it was written in a jerk, during the course of a night in which he also discovered his particular style of narration. At the age of forty he had written a single book and sought language capable of expressing the exuberant and hallucinating world of the Caribbean, whose history and landscape are totally alien to any classical proportion. For Carpentier, unlike European surrealism, which found the extraordinary and unnatural in an artificial and provoked way, in America the fantastic is found in reality itself, in what he called the marvelous real. And the way to express it was the Baroque: a self-conscious language, full of metaphors and lexical wealth. Published in 1944 in an edition of 100 copies, Journey to the seed takes us to colonial Cuba of the nineteenth century. With a subtle handling of the time, which the reader will notice little by little, we witness the death of Don Marcial, Marquis de Capellanías, the different avatars of his life and his birth. At the same time, we know the changes that an unusual temporary flow operates in his house, in his furniture and objects. The Baroque Concert (1974) is based on a historical fact: the composition and première in Venice in 1773 of Vivaldis opera about Montezuma. Attracted by the play of baroque resources that this scenic representation suggests, Carpentier introduces us into a brilliant amusement that recounts the adventures of an Indian who, accompanied by his servant, comes to Europe to look for musical instruments. Its theme is the encounter between two continents. But here the story also transforms and introduces elements of the future: Scarlatti and Handel live with Stravinsky and Louis Armstrong. Juan Malpartidas explanatory text on the

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